![]() ![]() Considering the odds against it, it's something of a miracle. It's easily the best pirate movie since Flynn's day, and while its successors have been hot-and-miss, the original is as much fun today as it was two decades ago. ![]() It didn't exactly break the curse - pirate movies outside of the franchise are still few and far between - but its success introduced a whole new generation to the genre, and Jack Sparrow is now a staple of the ride that inspired him. The interplay between the two was considered so essential that they brought Captain Barbossa back from the dead once the sequels hit. While Captain Jack Sparrow may receive most of the limelight in the Pirates of the Caribbean franchise, for many, the best character in the series is easily Keira Knightley’s Elizabeth Swann, with the character having one of the best arcs in the series. His co-stars were underrated, however, with Orlando Bloom and Keira Knightley making a fine pair of star-crossed lovers, and Geoffrey Rush's gleeful villain refusing to concede an inch to Depp. His irascible Sparrow was intended to be the comic relief but ended up stealing every scene he was in, to the point where the character became synonymous with the franchise. RELATED: Pirates of the Caribbean's Orlando Bloom Is Eager to Revisit Will Turnerĭepp was the straw that stirred the drink. The latter opened just one week before The Curse of the Black Pearl. 2002's Treasure Planet and 2003's Sinbad: Legend of the Seven Seas - both pirate-themed - upped the ante by killing off 2-D animation after disastrous showings at the box office. That culminated in 1995's Cutthroat Island: one of the biggest disasters in Hollywood history that bankrupted the studio that produced it. Traditional pirate movies became all but extinct, and a few efforts to resurrect them were often colossal bombs. The enormous success of Star Wars: Episode IV - A New Hope fundamentally changed the game on visual effects - model ships in bathtubs weren't going to cut it anymore - and in Han Solo, it reinvented the pirate archetype for the future rather than the past. But they could also be expensive, and while high-end efforts like 1952's The Crimson Pirate could afford the production values, lesser efforts began to look cheap and flimsy. ![]()
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